剧情简介
Enzo returns to Genoa after a lengthy absence. He crosses the city in search of places he remembers from before but they have been inexorably changed by passing time. He finds Mary waiting for him at the small house in the ghetto of the old city. His life-long companion, she has been waiting for Enzo to return from the prison where he was serving time. “I didn’t know Genoa well...
观众心声
我们终于走到了路的尽头。你还记得我的梦想吗？农村的房子，与狗，鸭子，池塘，我打理菜园。这是我一直想要的。你也梦想它，不是吗？
就像fiction在和non-fiction的交界处投下一道过分浪漫的阴影。真实的生活被拍得如此虚幻，私人的记忆成为集体的乡愁。archive用得漂亮。
挺有意思的电影叙事方式。archive的视觉效果加分不少，跟Mary那段聊天真是齁甜。
在使用archival footage重塑/重现城市记忆与特点上，Pietro Marcello用独特的影像风格和个人美学建立了一套看似无懈可击的体系，而电影背后的关于意大利人文变迁的零星碎片，都成为镜头的某种点缀。我当然不否认他出色的filmmaking带来的ambient affect,然而本片中作为underlying element的跨性别者和依旧奇观化/异性恋中心化的“爱情故事”，却真实反应了老生常谈的问题：当城市空间和个人命运在艺术界域里clash,我们如何看待the stake of each parties in this process.
开篇的叙述语调就十分惊人。在我看的电影里，马切罗是第二个把意大利语拍的这么有吸引力的。